UVI UltraMini 1.5 WiN/MAC UVI UltraMini 1.5 WiN/MAC
UltraMini 1.5 is here, bringing with it over 200 new factory patches, a significantly optimized low-CPU mode and computer-based authorization. Two legendary analog synths with the ultimate convenience of digital—now leaner, meaner and easier to use than ever!

The Beauty of Firsts
There's something evocative and mysterious about firsts. Normal people will recall their first pet, first crush or their first kiss. That's not us. For us, that warm ethereal feeling comes from our first analog synth. There's something timeless about it. Part of it is its place in history, being the first affordable and accessible analog synthesizer. Part of it is a sonic fingerprint that resonates through over 40 years of live and recorded music. Regardless of the criteria we can only summarize by saying this instrument has made a permanent impression on us, and we're not alone.

A Prolific Past
First made available to the public in 1971, this synth continued to be produced with very little change for over 10 years. Considered the most popular synth ever by some there's no doubt the instrument has led a prolific life, leaving a massive wake in its path; changing perceptions and influencing synthesizer design to this day. With a striking balance of simplicity and sonic range it was one of the first real novice-friendly systems, a factor that surely contributed to its success and also made it a superb tool for teaching the basics of subtractive synthesis.

There's No Quitting You
As firsts often do, this one taught us a great deal. It cultured in us a sensitivity to intuitive design and the importance of great sound regardless of form. In fact we've been speaking about it from a project perspective since we began. We knew that if we were going to do it, it would not only have to sound great but it would need to elicit that same balance of immediate simplicity and sonic reward - a deceptively complex task. As time progressed our vision crystallized; the design was ambitious but it was clear to all of us that this was a project we had to do.

Heart of a Hybrid Monster
One of our specialties is making hybrid instruments. With a hybrid instrument we get the best of both worlds. High fidelity sample-based waveforms, produced by real circuits in real machines, give the instrument a pure sound from the start. Then accurately modeled filters and effects are used on the backend to shape and control the sound, spending precious CPU cycles only where they're needed. For this approach to work you need to build an amazing library of sounds and marry them to a truly advanced DSP engine. This is exactly what we've done for UltraMini thanks to hundreds of man-hours of tedious multisampling and the award-winning UVI Engine™.

Two Analog Souls
We started with the beautiful 1971 model, sampling every waveform of every oscillator across every key - and we did this for multiple overdrive settings. UltraMini seeps with a thick and immediate analog sound produced with the same 3-oscillator configuration. But we didn't stop there. In 2002 the king of mono synth had a second coming; this version has its own wild character and we figured, what better way to make a Mini ultra than to give you two of them. Taking the new 2011 model, we performed the same comprehensive session creating an identical sample footprint.

UltraMini includes two fully independent instruments with uniquely skinned GUIs giving you the choice of vintage analog or crushing new school grit.

Beyond Mini
Oscillators are only half the story - what about the filters?

Don't worry, we've got you covered. We've included not one, but two of our aggressive analog-modeled Xpander filters in UltraMini, giving you unprecedented control and a sound so sweet you'll swear it's analog.

Additional features include amplitude and filter key follow, unrestricted polyphony, mono retrigger, per-oscillator amplitude, stereo, color and drive control, a built in bit crusher, phaser, delay, limiter and our advanced algorithmic reverb - SparkVerb, built-in phraser and arpeggiator assignable per-oscillator, step and LFO modulations and a huge library of expertly crafted presets to explore.

UltraMini has been designed to give you a rich, authentic sound and an immediate experience. An elegant GUI presents controls in an easy-to-understand layout, grouped for efficient and intuitive operation eliciting the feel of a real analog synth.

Whether you're an analog aficionado or just looking to add a sonic giant to your studio, UltraMini won't disappoint. A preset-packed, tweaker friendly ode to the arbiter of analog - available now at an incredible value.

Summary
Size : 1.8 GB library
Collection : 2 instruments give you unprecedented access to a legacy of authentic analog sound
Content : 422 presets, 6,244 samples
Sample Resolution : 44.1 kHz. Recording at 96 kHz.

NO NEED FOR iLOK
Open the Multi Tab and load the presets
UVI Workstation v2.6.0 included
Have Phun


Synapse Audio DUNE 2 Synapse Audio DUNE 2
DUNE 2 provides a yet higher sound quality and allows for an even wider range of sounds than Dune 1. New oscillators, new filters, new effects and graphical envelopes are just some of the new additions.

Our most popular synth DUNE is back – and better than ever!

DUNE 2 was rewritten from scratch, in order to provide a yet higher sound quality and allow for an even wider range of sounds. New oscillators, new filters, new effects and graphical envelopes are just some of the new additions.
With a maximum reserve of 8320 oscillators at full polyphony, DUNE 2 is a true unison monster, unlikely to ever run out of oscillators.
DUNE 2 is available as 32-/64-bit VST/AU plugin for Windows and Mac OS X.

DUNE 2 features summary

VA, Wavetable and FM Synthesis
Two oscillator stacks with 32 oscillators each
Third oscillator and noise generator
8x Unison = up to 520 oscillators per note!
16 voices of polyphony = up to 8320 oscillators total
Full version comes with more than 400 patches
Zero-delay feedback filters
Four graphical envelopes (MSEG)
Three low-frequency oscillators (LFO)
Modulation matrix for synth and FX parameters
Two Master FX busses with 9 high-quality effects each
Innovative Arpeggiator with MIDI file import
Tritik Moodal v1.0.3 Incl Keygen WiN OSX-R2R Tritik Moodal v1.0.3 Incl Keygen WiN OSX-R2R
Moodal is an audio plugin that modelizes objects and spaces to be excited by the sounds you will run through it.

Make your snare deeper, or change it to a bottle. Send your voice through a phone, or slide it on a string. Give your guitar a new soundboard, or throw some notes over a plate and quickly create rich textures.

Moodal let you transform your sound in a lively and refreshing way.

At the heart of Moodal is a one-of-a-kind resonance engine. Its underlying thousand resonant filters make Moodal capable to replicate realistic objects such as strings or plates, but also to simulate reverberant spaces such as rooms and halls that require a high modal density.

Moodal’s controls have been designed to let you sculpt your sound deeply yet easily.
The user interface, including 3 editable curves, allows you to quickly set up the resonators properties over the whole frequency range and to create unique timbres within seconds.

Its flexibility and its character make Moodal an invaluable tool for musicians and sound-designers.

Highlights

. Simulation of real and virtual objects and spaces
. Up to 1000 resonant filters
. Editable curves for frequency dependent amplitudes and decay-times
. Sensible parameters for modal density and spectral characteristics control

Interface
. Scalable high resolution interface.
. 2 themes (dark/light)
. Uncluttered user interface
. Tooltips and prefs in english, french, portuguese and spanish

Presets
. File based preset system
. Access through menu or browser
. Presets ‘freezer’ for safe recall
McDSP Analog Channel v6.1.0.8 WIN-AudioUTOPiA McDSP Analog Channel v6.1.0.8 WIN-AudioUTOPiA
Analog Channel emulates the sounds of high-end analog tape machines, tape, and channel amplifiers.
Analog Channel is 2 plug-ins:

AC101 – Emulates analog channel amplifier circuits
AC202 – Emulates analog tape machines

The AC101 configuration acts as a digital pre-amp allowing even excessive amounts of gain without digital distortion. A drive control determines where the audio "sits” in the saturation/compression region, and even the attack and release times of the distortion character are adjustable.

The AC202 configuration emulates analog tape machines. In addtiion to standard tape machine parameters such as bias, playback speed, and IEC1/2 equalization, AC202 offers controls well beyond the limits of the reel-world devices including adjustable low frequency roll off and head bump – independent of playback speed. The user can select from several playback head types, tape formulations, and even control the tape saturation recovery time.

Features

Library of presets emulating analog mixing systems
Real-time display of saturation curves and calibrations
Analog Saturation modeling
Double precision processing
Ultra low latency
Mono and stereo versions
McDSP DE555 v6.1.0.8 WIN-AudioUTOPiA McDSP DE555 v6.1.0.8 WIN-AudioUTOPiA
The DE555 is a new generation of de-essing technology, providing transparent, precise de-essing with unique flexibility.

Intelligent signal analysis allows the DE555 to effectively de-ess at any signal level – no manual input threshold adjustment required.

Other options include continuously adjustable ratio and release controls to fine- tune the de-essing amount, plus a high frequency (HF) only mode for reducing the signal level of only the ‘sss’ and not the original dialog.

Key filter options include high pass and band pass filtering. A unique focus control further enhances the key filter’s ability to separate ‘essing’ from actual dialog. The key filter output can also be monitored.

Real-time displays of de-essing amounts and key filter response enable quick and easy setup.

Features

Advanced de-essing technology
Unique key filter focus and de-essing controls
Real-time metering and key filter response plot
High frequency (HF) only option
Double precision processing
Ultra low latency
Mono and stereo versions
Ample Sound AGP2 v2.2.0 MacOSX Incl Keygen-R2R Ample Sound AGP2 v2.2.0 MacOSX Incl Keygen-R2R
Ample Guitar P II aim to bring the PRS Artist Custom Guitar sound to your studio.

Sysem Requirements:

6 GB of free hard disk space.
Windows XP or newer, Pentium 4 or Athlon processor with 2 GB RAM.
Mac OS X 10.7 or higher (we also provide Ample Guitar I for Mac 10.6 users) , Intel-based Mac with 2 GB RAM.
AU, VST, AAX or RTAS host application and professional sound card recommended. Stand-alone version included.

Sampling:

Size: 4.7 GB, 24bit 44.1khz
DFD(Direct from disk)
Rich Fingering Noise - more vivid and realistic.
Bridge, Both(Neck pickup as an extension library) two Instrument libraries to fit different needs.
Each Cycle & Rhombic Sampling structure - Separate sample cycle for each note and vel layer to improve sample utilization efficiency.
Sustain, Hammer On & Pull Off, Legato Slide, Slide in & out, Palm Mute, Popping, Natural Harmonic, Slide Guitar 10 articulations, Legato at random length & pitch & poly.

Technology:

Capo Logic - Intelligent play according to guitar rules.
Doubling Guitars - different samples at L & R.
CPC(Customized Parameters Control) - any button knob etc can be controlled by MIDI CC or Automation.
Poly Legato.
Slide Smoother.
Combined Articulation - combine 2 articulations via pressing 2 keyswitches at the same time.
Open String First.
Alternate Tuner.
Capo - Transpose without need to modify midi.

Tab Player:

The Tab Player can load and play several prevalent guitar tablature file formats. Users can load, display and playback any specific track inside a tablature file. When used in DAWs, the Tab Player also allows users to export the tablature as an audio file.
The Tab Player supports all the fingering, looping, chords, articulations and other markers in the loaded tablature. Supported articulations articulations include: Strum, Natural Harmonic, Artificial Harmonic, Hammer On/Pull Off, Trill, Bend, Tremolo Bar, Legato Slide, Slide In, Slide Out, Vibrato, Tremolo Picking, Palm Mute, Popping, Tapping, Let Ring, Staccato, Dead Note, Grace Note, Ghost Note, Accentuated Note, Fade In, etc.
As a built-in function, the Tab Player works seamlessly with the Ample Sound instrument engine, which has extremely customized guitar playing logic so as to model a real world guitar being played. The Tab Player can even judge on its own to automatically add some refining articulations when it thinks it is appropriate, such as slapping on strings or body, or other realistic and indispensable noises.
Strumming is an important factor of guitar playing. By taking advantage of the Ample Guitar Strummer engine, the Tab Player can not only mingle different articulations into strumming, but can also alternate between strumming several strings (i.e. multiple notes) simultaneously and strum at a particular string (i.e. one note).

Strummer:

14 Strum notes + 28 ways to play for every chord.
Strum Legato - both Slide and HP can be played while strumming.
Easy Strum Time Control via velocity.
Body Resonance and Mute Depth.
Total and Each Strum time, 4 humanization settings.
Customized Chords in Select or Detect mode.
Chord inversions to Positions.
Strum SEQ with customized rhythm.
Delicate presets with Drag & Drop Support.

Side Notes:
R2R has decided to release some of their earlier INTERNAL releases to the public today
Enjoy
Ample Sound AGP2 v2.2.0 Update Incl Keygen-R2R Ample Sound AGP2 v2.2.0 Update Incl Keygen-R2R
Ample Guitar P II aim to bring the PRS Artist Custom Guitar sound to your studio.

Sysem Requirements:

6 GB of free hard disk space.
Windows XP or newer, Pentium 4 or Athlon processor with 2 GB RAM.
Mac OS X 10.7 or higher (we also provide Ample Guitar I for Mac 10.6 users) , Intel-based Mac with 2 GB RAM.
AU, VST, AAX or RTAS host application and professional sound card recommended. Stand-alone version included.

Sampling:

Size: 4.7 GB, 24bit 44.1khz
DFD(Direct from disk)
Rich Fingering Noise - more vivid and realistic.
Bridge, Both(Neck pickup as an extension library) two Instrument libraries to fit different needs.
Each Cycle & Rhombic Sampling structure - Separate sample cycle for each note and vel layer to improve sample utilization efficiency.
Sustain, Hammer On & Pull Off, Legato Slide, Slide in & out, Palm Mute, Popping, Natural Harmonic, Slide Guitar 10 articulations, Legato at random length & pitch & poly.

Technology:

Capo Logic - Intelligent play according to guitar rules.
Doubling Guitars - different samples at L & R.
CPC(Customized Parameters Control) - any button knob etc can be controlled by MIDI CC or Automation.
Poly Legato.
Slide Smoother.
Combined Articulation - combine 2 articulations via pressing 2 keyswitches at the same time.
Open String First.
Alternate Tuner.
Capo - Transpose without need to modify midi.

Tab Player:

The Tab Player can load and play several prevalent guitar tablature file formats. Users can load, display and playback any specific track inside a tablature file. When used in DAWs, the Tab Player also allows users to export the tablature as an audio file.
The Tab Player supports all the fingering, looping, chords, articulations and other markers in the loaded tablature. Supported articulations articulations include: Strum, Natural Harmonic, Artificial Harmonic, Hammer On/Pull Off, Trill, Bend, Tremolo Bar, Legato Slide, Slide In, Slide Out, Vibrato, Tremolo Picking, Palm Mute, Popping, Tapping, Let Ring, Staccato, Dead Note, Grace Note, Ghost Note, Accentuated Note, Fade In, etc.
As a built-in function, the Tab Player works seamlessly with the Ample Sound instrument engine, which has extremely customized guitar playing logic so as to model a real world guitar being played. The Tab Player can even judge on its own to automatically add some refining articulations when it thinks it is appropriate, such as slapping on strings or body, or other realistic and indispensable noises.
Strumming is an important factor of guitar playing. By taking advantage of the Ample Guitar Strummer engine, the Tab Player can not only mingle different articulations into strumming, but can also alternate between strumming several strings (i.e. multiple notes) simultaneously and strum at a particular string (i.e. one note).

Strummer:

14 Strum notes + 28 ways to play for every chord.
Strum Legato - both Slide and HP can be played while strumming.
Easy Strum Time Control via velocity.
Body Resonance and Mute Depth.
Total and Each Strum time, 4 humanization settings.
Customized Chords in Select or Detect mode.
Chord inversions to Positions.
Strum SEQ with customized rhythm.
Delicate presets with Drag & Drop Support.

Side Notes:
R2R has decided to release some of their earlier INTERNAL releases to the public today
Enjoy
DDMF MetaPlugin v1.6.1 FIXED KEYGEN ONLY-R2R DDMF MetaPlugin v1.6.1 FIXED KEYGEN ONLY-R2R
Metaplugin is a plugin that loads other plugins. As simple as that. Build your own effect networks using any VST/VST3 (and AU, if you're on Mac) effect you already have on your harddisk. To get you started, a Mid-Side matrix and a fourband crossover filter are included in the package. This means instant mid-side or multiband compression/distortion/reverb/... you name it. 

Supports up to eight individual channels for, e.g. surround or other multichannel purposes.
- Dry/wet ratio can be adjusted for each loaded plugin.
- Full plugin delay compensation is included.
- Negligible additional CPU overhead.
- Synths can also be loaded and played with any MIDI control.
- 2x-oversampling option of the whole signal chain is available.
- 32-bit-plugins can be loaded into the 64-bit version of Metaplugin using JBridge/JBridgeM. Very useful for LogicX and ProTools11!
- Can be used as a VST-AU-wrapper, a VST-RTAS-wrapper, an AU-RTAS-wrapper, VST-AAX wrapper or an AU-AAX wrapper
- VST3 plugins now supported, so VST3-AU-wrapping, VST3-RTAS-wrapping and VST3-AAX-wrapping is also included
Kuassa Plugin Bundles WiN 2015-R2R Kuassa Plugin Bundles WiN 2015-R2R
Soft / VST Plugins 17-12-2015
Kuassa.Amplifikation.Creme.v1.3.1.Incl.Patch.and.Keygen-R2R
Kuassa.Amplifikation.Vermilion.v1.1.1.Incl.Patch.and.Keygen-R2R
Kuassa.Cerberus.Bass.Amplifikation.v1.0.5.Incl.Patch.and.Keygen-R2R
Kuassa.EVE-AT.Bundle.v1.1.1.Incl.Patch.and.Keygen-R2R
Kuassa.EVE-MP5.v1.0.0.Incl.Patch.and.Keygen-R2R
Kuassa.Kratos.2.Maximizer.v1.0.2.Incl.Patch.and.Keygen-R2R
Blue Cat Audio Blue Cats Oscilloscope Multi v2.1-R2R Blue Cat Audio Blue Cats Oscilloscope Multi v2.1-R2R
Blue Cat's Oscilloscope Multi is a unique multiple tracks real time waveform renderer and comparator: it lets you visualize the content of several audio tracks on the same screen and compare them thanks to its X-Y view.

The plugin offers stereo or mid-side channels waveform extraction as well as several synchronization modes. The zooming and precise measurement capabilities let you analyze the waveforms in details, and the XY phase scope view will help you track phase issues within an effect chain or while recording with multiple microphones.

The additional histogram display complements the toolset to check the distribution of the values in the waveform and get an idea of the average peak level.

The four memory slots let you store any waveform in memory: it helps you make comparisons between several setups or portions of your audio project very easily.

Thanks to Blue Cat's skinning language support and the included window opacity management feature, you can adapt the plug-in user interface to your personal needs and enhance your workflow.