Avid Focusrite d2 d3 Bundle v11.1.80871 WIN x64-AudioUTOPiA Avid Focusrite d2 d3 Bundle v11.1.80871 WIN x64-AudioUTOPiA
Modeled after their respective Red Range hardware counterparts, the Focusrite d2 and d3 bring high quality equalization and professional dynamic control to Pro Tools.

d2 is designed for the audio professional who requires the highest levels of performance and maximum versatility in a software-based equalizer, providing multiple modular configurations. With superior resolution, intuitive graphics, dynamic automation and save/copy/paste options, d2 takes full advantage of the power and capabilities of the Pro Tools environment.

d3 provides flexibility and versatility through separate insert configurations in addition to its highly impressive sonic characteristics. d3 also functions in AudioSuite, providing file-based processing and conservation of DSP resources. Coupled with dynamic automation, multiple inserts and save/copy/paste options, the Focusrite d3 takes full advantage of the power and capabilities of Pro Tools.

Details

The d2 software-based digital equalizer, is truly worthy of its lineage: the Red Range 2 Dual EQ. It provides three different mono or stereo modules: six band, four band, and dual/single band. These versatile configurations allow DSP power to be used where it is needed most. Any band type (or types) can be accessed up to the available DSP power in the system. d2 includes high- and low-pass filters, high and low shelving filters and high-mid and low-mid peaking filters.

d2 also features analog-style overload indicators to track clipping and a highly accurate Cartesian graph that displays EQ settings as they are being adjusted. When an offset exists for the left and right channels, the graph will display both channels simultaneously.

Focusrite's d3 is a world-class, software-based compressor/limiter for Pro Tools and AudioSuite-capable systems that provides two mono or stereo configurations. The Compressor+Limiter supplies both compression and limiting at all times. The Compressor/Limiter allows users to select compression or limiting, conserving DSP power for other operations as necessary.

One d3 plug-In can be used multiple times simultaneously, limited only by DSP capacity. Pro Tools software supports side-chain processing with d3, accepting post-fader input from any track or bus to control dynamics parameters. Of course, all settings are automatically restored and recalled with the Pro Tools session.

Both the d2 and d3 interfaces closely emulate their respective sibling Red Range hardware units, with their red brushed-aluminum panel graphics, illuminated push buttons and rotary control knobs. A floating editor window supplies instant access to the various modules of the d2—six band, four band, or dual/single band—or, in the case of the d3, one-button access to both compressor and limiter modules. A numeric display area is located below each rotary knob for continuous feedback and also allows numeric entry from the keyboard, if desired. For precise processing, independent input and output level controls and high-resolution Plasma-type meters are also provided. With the d2, offset level adjustment is accommodated by use of the left, right and link controls.

Features

d2

Modeled on the highly acclaimed Red 2 equalizer
Six-band, four-band, dual-/single-band, stereo or mono modules
EQ curve display supplies visual feedback of parameters
Left/right controls can be adjusted independently, then linked to retain the offset
Three different mono or stereo modules: 6-band, 4-band, and dual-band/single-band; these versatile configurations provide maximum DSP efficiency
The d2 consists of high- and low-pass filters, high- and low-shelving filters, and high-mid and low-mid peaking filters
Automation features, including dynamic plug-In automation

Filter types and frequency ranges

High-pass: 20 Hz to 6.4 kHz (18dB/oct.)
Low-shelf: 33 Hz to 460 Hz
Low-mid peaking: 40 Hz to 6.4 kHz (Q Range: .7 to 4.0)
High-mid peaking: 120 Hz to 18 kHz (Q Range: .7 to 4.0)
High-shelf: 3.3 kHz to 18 kHz
Low-pass: 100 Hz to 18 kHz (18dB/oct.)

d3

Modeled on the highly acclaimed Red 3 Dual Compressor/Limiter
Two separate Plug-In configurations (Compressor+Limiter and Compressor/Limiter), allowing for maximum efficiency with DSP-powered Pro Tools systems
AudioSuite functionality enables fast and convenient file-based processing

Controls and ranges

Compressor in/out switch
Limiter in/out switch
Engage key input (side-chain)
Audition key input
Threshold: 0 dB to - 48 dB
Ratio: 1.5:1 dB to 10:1 dB
Attack: 1.0 to 150 ms
Release: 25ms to 2.5s
Limiting: 0 dB to -24 d
Avid Moogerfooger Bundle v12.0.86539 WIN x64-AudioUTOPiA Avid Moogerfooger Bundle v12.0.86539 WIN x64-AudioUTOPiA
Moogerfoogers® go digital! With authentic analog designs, these Moogerfoogers plug-ins combine the best features of audio effects and vintage synth modules, opening new frontiers for sonic exploration. 

All four of the following Moogerfoogers are available together in this specially priced bundle:

The Moogerfooger Ring Modulator's wide-range carrier oscillator and dual waveform LFO mean motion on rhythm tracks and radical low-fidelity textures.

The Moogerfooger Lowpass Filter's envelope follower delivers classic '60s and '70s sounds on bass and electric guitar. Or dial up fat analog for any instrument using the 2-pole/4-pole variable resonance filter. Groovy!

The Moogerfooger 12-Stage Phaser combines a switchable 6- or 12-stage phaser with a wide-ranging, variable LFO. Start with subtle tremolo or radical modulation effects, then crank the distortion and resonant filters for unbelievable new sounds — all with the signature classic Moog sound.

The Moogerfooger Analog Delay is simply the coolest (and warmest!) delay in the digital domain. Due to component shortages, fewer than 1,000 of "real-world" version were made. The designers snagged serial #1 and, as always, meticulously modeled every detail of the classic analog design. Wait until you hear it!

"Moogerfooger plug-ins combine gorgeous and smooth graphics with meticulously crafted signal processing. They're a musician's dream come true: they have the essential sound and responsive interface of the analog originals."
Avid Smack v12.0.86554 x64 AAX-AudioUTOPiA Avid Smack v12.0.86554 x64 AAX-AudioUTOPiA
Smack! is a professional compressor/limiter plug-in designed specifically for music applications but capable of accommodating virtually any kind of audio material with equal success. Smack! features three compression modes, unique compression ratios, and harmonic distortion ideally suited for achieving a wide range of sonic variations and colorations. Additionally, the plug-in supports side-chain processing, multichannel track types, and the full range of Pro Tools sample rates and plug-in formats.

If you’re a Pro Tools music maker who requires a great-sounding, flexible, and easy-to-use compression tool, this is it. Accurately modeling automatic gain reduction devices previously found only in hardware, Smack! controls the volume of just about any source in a very "musical” manner, adding fullness, intelligibility, and excitement to any track. Its user interface is intuitively constructed, with a look and feel reminiscent of vintage devices, enabling you to create an amazingly wide range of tonal coloration with a minimal set of controls. 

Features

Foolproof operation—easily get great results with any kind of audio material
Three compression modes—includes a mode for emulating classic electro-optical limiters
Unique compression ratios—from subtle compression to hard limiting
Harmonic distortion—add subtle analog-sounding distortion
Side-chain support—get external or internal side-chain processing and a side-chain EQ
Multichannel support—add life to all Pro Tools multichannel track types
Full sample rate support—work on sessions at up to 192 kHz sample rates
Avid Effects Seperates Multi Bundle-AudioUTOPiA Avid Effects Seperates Multi Bundle-AudioUTOPiA
Avid BBD Delay
Avid Black Op Distortion
Avid Black Shiny Wah
Avid Black Spring
Avid C1 Chorus-Vibrato
Avid DC Distortion
Avid Flanger
Avid Gray Compressor
Avid Green JRC Overdrive
Avid Orange Phaser
Avid Roto Speaker
Avid Studio Reverb
Avid Tape Echo
Avid Tri-Knob Fuzz
Avid Vibe Phaser
Avid White Boost
Avid X-Form v12.0.84738 WIN x64-AudioUTOPiA Avid X-Form v12.0.84738 WIN x64-AudioUTOPiA
X-Form™ represents the pinnacle of time compression/expansion and pitch-shifting technology. Available for all Pro Tools® and Avid DNA™ systems, this high-quality AudioSuite™ plug-in delivers professional time stretching and formant-correct pitch shifting with professional results, even at extreme settings. X-Form is ideal for music production, sound design, post production, or any other application that requires natural-sounding time stretch and pitch shift processing.

The Right Tools
To help give you the best results with a wide variety of source material, X-Form provides a choice of two time-stretching/pitch-shifting algorithms. The Polyphonic algorithm is ideal for use on complex audio files, such as chords or an entire stereo mix. This algorithm is truly "best in breed,” and when used with the Transient Sensitivity control, it allows you to compress or stretch drum loops and other percussive material without losing crucial attack transients. When working with solo instruments or vocals, choose the Monophonic algorithm. Of course, experimenting with both algorithms is the key to obtaining the perfect effect.

Unparalleled Sound Quality
Each algorithm was designed to provide exceptional results capable of preserving proper stereo imaging, attack transients, and timing accuracy—even at extreme settings. With X-Form, you can process files within a mind-blowing range of 12.5 to 800 percent of the original length (1/8 to 8x the original duration). The pitch shifting is equally impressive, allowing you to shift a file up or down three octaves with proper formant correction—even on polyphonic material—so the audio sounds completely natural. How is this possible? The secret is the X-Form plug-in’s frequency domain processing, a technology proven more effective than the "frame overlap” algorithms used in most time-stretching products.
Avid ReVibe II v12.0.84714 WIN x64-AudioUTOPiA Avid ReVibe II v12.0.84714 WIN x64-AudioUTOPiA

ReVibe is a powerful room-modeling plug-in designed to take advantage of the supercharged DSP processing capabilities of Pro Tools|HDX, Pro Tools|HD Accel, and VENUE systems with its AAX DSP and TDM formats, but can also be used natively on other Pro Tools systems with AAX Native. Optimized for sessions up to 192 kHz (AAX only)

ReVibe provides nine reverb algorithms combined with over 200 room reflection/coloration models to deliver pristine, high-quality sound. With its intuitive user interface and detailed controls, ReVibe handles nearly any reverberation task with ease.

The plug-in supports up to 5.1 multichannel mixes, and includes independent reverb, early reflection, and level controls for the rear channels. You can also use the rear-channel reverb controls in mono or stereo instances, enabling you to add more presence and density to the reverb character.

ReVibe is ideal for adding an accurate representation of a room’s sound or ambience to your mix. The plug-in offers highly detailed models of a number of real spaces—as well as springs and plates—making it a perfect complement to the classic digital reverb sound of Reverb One.

Features

Add ambience to your mix with accurate, professional room models
Customize the sound with a choice of nine different reverb algorithms
Fine-tune the room with multichannel reverb controls
View EQ, Decay Color, Early Reflections, and Reverb Shape through interactive displays
Gain infinite possibilities with the extensive set of Early Reflections and Room Types
Work on 5.1 multichannel format sessions—at up to 192 kHz
Compatible with Pro Tools|HD, Pro Tools, and VENUE family systems
Avid Classic Compressors Bundle v11.1.80701 x64 AAX-AudioUTOPiA Avid Classic Compressors Bundle v11.1.80701 x64 AAX-AudioUTOPiA
Classic Compressors look, sound, and work just like the real thing. Whether you're just learning to use compression or a seasoned pro polishing a final mix, you'll love these time-proven designs.

BF-2A
The BF-2A is modeled after one of the most popular compressors in the industry — the renowned LA-2A. The BF-2A tube compressor plug-in’s vintage sound delivers incredible warmth and classic compression with the convenience and flexibility that only a software plug-in can offer.

BF-3A
A prized component of the award-winning Classic Compressors line, the BF-3A plug-in adds a smoothness and sonic texture that makes sounds jump right out of the mix. Famous for its unique sonic imprint on guitar, piano, vocals and drums, the BF-3A sounds great on any voice or instrument and is an ideal go-to leveling amplifier for all your Pro Tools projects.

Purple Audio MC77
The Purple Audio MC77 is meticulously modeled and personally approved by Andrew Roberts of Purple Audio, Inc. It is a spot-on digital replica of Roberts’ acclaimed MC77 Limiting Amplifier, which in turn is an update of his classic MC76 hardware unit. Representing a different take on the 1176-style FET limiter, Purple Audio MC77 gives you access to all the goodness of the original with the convenience and flexibility only a plug-in can offer.

Fairchild 660 and 670
Designed in the early 1950s, the Fairchild 660 and 670 are variable-mu limiters. Variable-mu designs use an unusual form of vacuum tube that is capable of
changing its gain dynamically. The result? In addition to featuring a tube output stage like the BF-2A, the Fairchild actually achieves gain reduction through the use of tubes! Of course, these no-compromise replicas capture every detail of these legendary pieces of studio gear.


Avid Pro Multiband Dynamics v12.0.84760 WIN x64-AudioUTOPiA Avid Pro Multiband Dynamics v12.0.84760 WIN x64-AudioUTOPiA
For music and audio post professionals who demand the highest quality plug-ins to create audio mixes that stand out from the crowd. Pro Multiband Dynamics is a powerful Pro Series 64-bit AAX plug-in that enables you to shape sounds with ease.

Achieve great sounding mixes fast by selectively compressing or expanding audio in up to four frequency bands. Get precision control by applying upward expansion and downward compression only to signals that go below or above the threshold. You can even output each band into separate busses for additional processing. Plus, with its easy-to-use interface, graphic frequency band display, and versatile metering, you have all the feedback you need to hone in the perfect sound.

Experience unrivaled performance

Whether you need a high-quality plug-in that offers ultra-low latency recording and mixing with Pro Tools | HDX, or want advanced features to deliver master-quality productions in Pro Tools and more, Pro Multiband Dynamics will help you achieve the sound you need with ease.
Get ultimate dynamics control

Pro Multiband Dynamics offers several unique features to control and shape sound with precision, including downward and upward compression/expansion and 4-way signal splitting, enabling individual frequency band processing and output.
Take total control with the Pro Series collection
Pro Series plugins are designed for professionals who work in the most demanding music and audio post-production environments. With five stunning plug-ins designed to provide you with the highest quality processing available for native and DSP-based systems—Pro Compressor, Pro Expander, Pro Limiter, Pro Subharmonic—you can quickly and easily create optimized audio mixes that stand out from the crowd. 

Avid SoundReplacer v12.0.86558 WIN x64-AudioUTOPiA Avid SoundReplacer v12.0.86558 WIN x64-AudioUTOPiA
SoundReplacer allows you to replace or mix an existing audio track with new samples from your sound library. SoundReplacer allows you to retain the original feel by matching the timing and automatically adjusting the dynamics of the replacement sound to match the changing levels of the original performance. 

Up to three separate samples can be used to blend with or completely replace an original performance. Variations in amplitude within the performance determine which sample is triggered at a given time.

Features

Trigger up to three samples, each set to a threshold zone of your choosing
Crossfade or hardshift between samples
Adjustable mix slider sets the amount of sample replacement
Expand/contract a performance's dynamic range
Peak Align option assures phase-accurate alignment
Avid Eleven v12.0.86530 x64 AAX-AudioUTOPiA Avid Eleven v12.0.86530 x64 AAX-AudioUTOPiA
Get access to the sounds of the world's greatest guitar and bass amps—without the upkeep or expense. Going past Eleven, the new Eleven MK II plug-in gives you even more amps (33 total!), more speaker cabinets (more than double), and more ways to get the tones you've dreamed of. 

Developed using an innovative amp modeling technique, Eleven MK II gives you instant access to an amazing collection of sought-after sounds based on classic Fender®, VOX®, Marshall®, Ampeg, Bogner, Mesa/Boogie®, and Soldano amplifiers.* Simply call up a preset to immediately re-create a hit-making guitar tone. Or design your own signature sound by mixing and matching amps, speaker cabinets, and mic models—all captured at their best in a world-class studio.